I’m not gonna lie. This sounds just awful. In truth, I can’t see any way it could be anything but. Not in today’s filmmaking climate and not with whatever oversized budget this puppy’s gonna have. I suppose it’s a good thing that Ridley Scott isn’t directing again since the original BLADE RUNNER was the last film he directed that I liked and his ALIEN prequel (PROMETHEUS) suggested once again that the man who made Scott’s first three films no longer inhabits the body and mind of the man who now calls himself Ridley Scott.
Too harsh? Probably. But the promise and talent exhibited in THE DUELLISTS, ALIEN, and BLADE RUNNER never returned to the screen with any of Scott’s subsequent projects. Yes, I include the Best Picture Oscar-winner GLADIATOR in that group. I didn’t like it at all. For me, Scott’s signature “style” lost its substance and seemed to revert more to what pleased the eye than what best told the story.
Continue reading “Churning Pessimism: Harrison Ford To Star In “BLADE RUNNER” Sequel”
It is such a treat to have an ongoing series of full-show releases of Grateful Dead concerts released by Rhino and the Dead (4 a year). Most of these shows were not originally recorded with the intention of commercial release, so many are imperfect insomuch as the mixes are not as precise as one might be used to on your typical “Live album.” But this is nothing new to even the most newbie of Dead-Heads.
The Grateful Dead were one of the few bands who not only allowed their shows to be taped by audience members, they actually encouraged it! As a result, different quality sound recordings are part of the Grateful Dead listening experience. And soundboard recordings, also of varying quality –not to mention generations (from back in the ol’ tape cassette trading days)– have always been with us, either through the generosity of folks at the board letting tapers plug in, or in those unintended releases that found their way into unofficial circulation like the famed “Betty Boards.”
Continue reading “Dave’s Picks Vol 13: Winterland, Feb. 24, 1974″
Waking up to the news of the passing of Leonard Nimoy was like being hit in the face with an unexpected left hook. It reverberated throughout my body and is breaking my heart in a thousand different ways. Like losing a dear friend.
Continue reading “Mourning Leonard Nimoy”
Having just watched J.C. Chandor’s latest film, A MOST VIOLENT YEAR, I was yet again reminded of how easily terrific filmmakers and layered storytellers get tossed aside in the face of all the brouhaha that are the Oscars.
A MOST VIOLENT YEAR is a terrific film with complex characters that don’t offer simple answers to difficult questions. It is also a film I was told by a number of friends to “pass” on. That’s what I was also told about Chandor’s ALL IS LOST. I almost missed both films and I am SO thrilled that I didn’t as both hold places in my favorite films of their respective years. You can read my review and commentary on ALL IS LOST here.
Continue reading ““A MOST VIOLENT YEAR.” When Good Films Are Passed Over”
For anyone who has read my posts here for any length of time, you know that I have some serious issues with the Oscars. It wasn’t always that way and, perhaps, that is part of my struggle.
Like many cinephiles out there, the Academy Awards were, as a kid, a big draw for me. I never missed watching it on TV. From start to finish. I hung on every word, every sound, every clip. As I got older, started working at film festivals, moved to Hollywood, started working in the industry itself, sold screenplays, directed a feature, wrote for the studios, worked over 2 decades in casting, and have been represented by UTA, ICM and Gersh, my outlook on both this town, this business and the Academy Awards changed quite dramatically. Peeling back that curtain can be a scary thing. Like when one of my friends told me “Be careful of meeting your heroes. There’s a good chance you’ll be disappointed.” Of course, this is not always true. But I think the idea he was trying to get across was that, oftentimes, people, places and ideas exist in our mind in a somewhat more “perfect” or fanciful way than they may in actuality.
Continue reading “Tackling My Oscar Blues While Celebrating “BIRDMAN””
Here’s another Academy Voter’s honest reasons for voting as he does. His tastes are certainly better than the woman referenced in my previous post, but there is still an innate lack of daring in this viewer, a complete lack of layered storytelling sensibility on display here.
VOTER PROFILE: A longtime member of the Academy’s 387-member short films and feature animation branch who has been nominated for an Oscar.
Continue reading “Oscar Voting Part 2: Another Academy Voter Shares Their Honest Reasons For Voting”