Why Academy Members’ Lack-of-Diversity Is An Important Conversation


oscar_statueI’ve heard a whole lot about this topic from many different sides of the conversation lately. I come at this already not being a fan of the Oscars as a representation of film and cinema and I gave up watching them several years ago.

It’s been suggested by some (or many, even) that the reason for the complete lack of minority nominations this year may just be that the performances by non-white actors simply weren’t as good this year as the other’s nominated. Or that it’s a numbers game and there are fewer films and performances to choose from that highlight and showcase non-white actors and stories. While that second statement is certainly true for Hollywood and is something that desperately needs to change, it’s still far too easy an answer as to why most of the nominees this year are white. And it misses a crucial part of the point.

Here’s why I think the lack-of-diversity complaint that is taking place now is undeniably spot on: I know someone who has been in the industry most of their life and has been successful. This person is white. This person is older. And this person said to me that they walked out of the movie FRUITVALE STATION, not because it was a bad movie or that this person didn’t like the performances, but because, and this is verbatim, “I’m just not interested in movies about the black experience.” 

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Why Academy Members’ Lack-of-Diversity Is An Important Conversation

Disagreeing with Carol Cadwalladr’s Assessment of THE REVENANT

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I couldn’t possibly disagree more with Carol Cadwalladr‘s assessment of THE REVENANT in her recent piece in The Guardian titled “The Revenant is Meaningless Pain Porn.”

I would agree that our culture displays a whole lot of meaningless violence, yes, even to a pornographic level, but of all the films to accuse of this, THE REVENANT is simply not one.

Yes, there’s pain. Yes, human suffering and graphic violence. But to minimize this film and place it alongside the hoards of films spit out by Hollywood each year disguised as entertainment but, instead, offering us vapid exercises (in, among other things, killing and human suffering), is to completely miss the point of the entire film.

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Disagreeing with Carol Cadwalladr’s Assessment of THE REVENANT

New Year’s Eve With Dead & Company

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I finally caught up with Dead & Company live. It was at the Forum in Los Angeles for two nights closing out 2015. I’ve been watching and listening to the band’s entire tour online and have been incredibly impressed with the energy and communication happening up on that stage.

My experience of being there was pretty great, over all. AND it made me really miss Jerry Garcia. What I love about John Mayer’s contribution to this music is his profoundly contagious joy. This is a musician clearly having the time of his life and that spills out onto every member of the band and flows endlessly from there thru the audience. It’s an incredible thing to witness.

What makes the experience different for me from a Grateful Dead concert is Mayer’s lack of Garcia’s emotional depths. I don’t mean that as a slight against Mayer in any way. He is an extraordinary musician and has transformed this music into a whole new realm that is personal for him and allows the other musicians the incredible opportunity to re-explore this music in yet another context. One they are clearly relishing! And so is the audience! And so am I!

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New Year’s Eve With Dead & Company