Double G & Hal Masonberg on Chet Hanley’s “JAZZ IN THE MODERN ERA”


New doc JAZZ NIGHTS: A CONFIDENTIAL JOURNEY’s sax player and composer extraordinaire, Geoff “Double G” Gallegos and JAZZ NIGHTS’ director Hal Masonberg were this week’s guests on Chet Hanley’s 3-hour TV show JAZZ IN THE MODERN ERA from April 5, 2016. There’s a lot of music and extraordinary archival video to listen and watch onContinue reading “Double G & Hal Masonberg on Chet Hanley’s “JAZZ IN THE MODERN ERA””

Why Academy Members’ Lack-of-Diversity Is An Important Conversation


  I’ve heard a whole lot about this topic from many different sides of the conversation lately. I come at this already not being a fan of the Oscars as a representation of film and cinema and I gave up watching them several years ago. It’s been suggested by some (or many, even) that the reasonContinue reading “Why Academy Members’ Lack-of-Diversity Is An Important Conversation”

Disagreeing with Carol Cadwalladr’s Assessment of THE REVENANT


I couldn’t possibly disagree more with Carol Cadwalladr‘s assessment of THE REVENANT in her recent piece in The Guardian titled “The Revenant is Meaningless Pain Porn.” I would agree that our culture displays a whole lot of meaningless violence, yes, even to a pornographic level, but of all the films to accuse of this, THE REVENANTContinue reading “Disagreeing with Carol Cadwalladr’s Assessment of THE REVENANT”

New Year’s Eve With Dead & Company


I finally caught up with Dead & Company live. It was at the Forum in Los Angeles for two nights closing out 2015. I’ve been watching and listening to the band’s entire tour online and have been incredibly impressed with the energy and communication happening up on that stage. My experience of being there was pretty great,Continue reading “New Year’s Eve With Dead & Company”

The Segregation of America’s Live Music Experience


Today I grabbed the cheapest tix possible to see Dead & Company here in L.A. with some dear friends. The concert will be on Dec. 30th (we’re skipping the New Year’s show). Our seats are in the nosebleed section behind the stage with an obstructed view. While excited to see this band live and hear someContinue reading “The Segregation of America’s Live Music Experience”

A Deathbed Perspective on the Business of Art


Linds Redding died of inoperable espohageal cancer. He was an art director who worked at BBDO and Saatchi & Saatchi. Linds kept a blog and one of the last pieces he wrote before he died, “A Short Lesson in Perspective,” explores his final frame of mind on the ad business and how many of us choose toContinue reading “A Deathbed Perspective on the Business of Art”

Fare Thee Well Chicago: The Ephemeral Resurrection


For anyone who read my most recent posts, you know I was not a fan of the music-making that took place in Santa Clara, CA. at the Fare Thee Well Grateful Dead celebration. To clarify, my intent is not to diminish the experience of those who were there or those who genuinely loved the music.Continue reading “Fare Thee Well Chicago: The Ephemeral Resurrection”

Fare Thee Well Night Two: Desire & Admission


You can read my post on the first night here.  It’s an odd experience feeling disappointment around something so very special and important in my life. Some have shared my experience and interpretation, others have their own and it varies wildly. No experience is wrong. I’ve been accused by some in the past few daysContinue reading “Fare Thee Well Night Two: Desire & Admission”

Fare Thee Well Stumbles Out Of The Starting Gate


Let me begin by saying I love these guys. I’ve been a hardcore DeadHead since 1975. It was a joy to see Phil Lesh smiling and having so much fun up there on stage for the first night of the 5-night Fare Thee Well 50th celebration of the Grateful Dead with the “core-four” remaining membersContinue reading “Fare Thee Well Stumbles Out Of The Starting Gate”

Observations on Cinema vs. the Capitalist Feeding Frenzy


Filmmaker William Friedkin was recently interviewed for a piece in The Telegraph titled “Superhero movies are ruining cinema, says Exorcist director William Friedkin.” I agree with Friedkin’s sentiment and I would take it one step further and say that it’s not “Superhero movies” that are ruining cinema, but that those films are a product of what has soContinue reading “Observations on Cinema vs. the Capitalist Feeding Frenzy”