I came to this final presidential debate not looking for more proof that Trump was despicable. I came looking for more reasons to feel some measure of hope about voting for Hillary. And at the beginning of the debate, I got some of that. But it didn’t last long.
You see, this is where it all falls apart for me. It’s clear to most any liberal person that Trump is a liar, an egomaniac, a fascist-dictator wannabe, a misogynist, a racist, shockingly uninformed, and a serious threat. That’s what was obvious, has been, and continues to be. So for me it’s easy to post repeatedly about the horror-show that continues to be Donald Trump.
What seems more difficult and what I wish we would also see, are those same people posting about how Hillary wouldn’t answer the direct question placed to her about the contents of the Wikileaks emails. She turned the conversation, once again and without missing a breath, to the Russians. Forget for a moment that the new Cold War rhetoric being expressed recently is disturbing in its own right and needs to be watched closely. The truth of the matter is that these are two separate conversations. The question was about the content of the emails, not their origin. If you’re willing to overlook the content and her direct refusal to address it, that’s a problem for me. No one gets a free pass because Trump is despicable. And no one – and that includes Hillary’s most devoted supporters – should be okay with it. Continue reading “When They Go Low, So Do We: The Final Presidential Debate”
New doc JAZZ NIGHTS: A CONFIDENTIAL JOURNEY’s sax player and composer extraordinaire, Geoff “Double G” Gallegos and JAZZ NIGHTS’ director Hal Masonberg were this week’s guests on Chet Hanley’s 3-hour TV show JAZZ IN THE MODERN ERA from April 5, 2016.
There’s a lot of music and extraordinary archival video to listen and watch on this episode. And weaving in and out of those, Chet Hanley interviews Double G and Hal Masonberg about both JAZZ NIGHTS and Gee about the saxophone and his lifelong influences.
Continue reading “Double G & Hal Masonberg on Chet Hanley’s “JAZZ IN THE MODERN ERA””
You know things are off to a bad start when you can feel the writers’ fear more than the characters’.
I always thought the writing on THE WALKING DEAD was terribly inconsistent. Sometimes downright awful. But I love the zombie genre (saw NIGHT OF THE LIVING DEAD in a movie theater at age 9 and it has been burned into my psyche ever since), and if there are some good visceral moments now and again, I find myself drawn back. In fact, I’d even go so far as to say that the writing on THE WALKING DEAD improved in the last two seasons, it felt more consistent, more organic.
So when I read that there’d be a spinoff series, I hoped that the writers, creators and anyone else involved with the series had evolved in their storytelling sensibilities to offer something interesting, maybe even slightly provocative or, god-forbid, original. Instead, what I found was an hour of the kind of silly character reactions and scenarios I would expect from network TV at its most benign. Why is this?
Continue reading “Fear The Walking Dead Writers”