Understanding “Bernie Or Bust” and the Theory of Critical Realignment


Bernie or Hillary

I understand why the “Bernie Or Bust” movement has left a lot of people bewildered and resentful. But like so much out there in our political orbit, an ability to momentarily alter perspective is required, in earnest and without caveats, in order to even begin to understand the thinking of others. It’s a difficult thing to do and something we are, as a culture and society, not often propelled to do. Achieving this requires a degree of separating immediate emotional responses and impulses from the “bigger” picture. That’s a hard thing to accomplish under normal circumstances. It’s a seemingly near-impossible one when there are institutions and organizations whose very existence is not only dependent on, but who are wholly dedicated to keeping you in a reactive state of near-constant emotive retaliation.

However, empathy is fostered in many areas of our culture, and it thrives in pockets despite many attempts to deride or discredit it as a form of “weakness.” Artists, art, and artistic communities, for example, are dependent on a measure of empathy for art to exist. By definition. But even within those communities and those cultures, there is the notion that one must become “hardened,” that success is dependent on learning to be cut-throat, a shark. Walk into any art class with an industry bent and you have a 50/50 chance of being taught that those who “make it” are the ones willing to walk over the bodies of their classmates. Ask any actor who has made the rounds of acting classes in Los Angeles.

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Understanding “Bernie Or Bust” and the Theory of Critical Realignment