LET THE RIGHT ONE IN Fixed Blu-ray Hits Shelves!

According to Digital Bits reader Mike L., Magnolia has gotten those Blu-rays with the proper theatrical subtitles out there. Finally! Keep your eyes open. No word on exchanges yet. Probably a negative. But here’s what the puppy looks like:

LET THE RIGHT ONE IN Fixed Blu-ray Hits Shelves!

LET THE RIGHT ONE IN New Corrected Subtitles Finally Available

Looks like Magnolia Releasing has finally released their DVD of the amazing Swedish vampire flick LET THE RIGHT ONE IN with the proper theatrical subtitles. However, the fixed Blu-ray version is still MIA, but we’re hoping that changes soon. VERY soon. In the meantime, if you’re planning to buy or rent the film on standard DVD, look for the following on both the DVD back cover and the DVD menu. And if you’re wondering if it really makes all that big a difference or not, it does. It really, truly does:

LTROI-SetUpScreenThanks to Icons of Fright for the update.
LET THE RIGHT ONE IN New Corrected Subtitles Finally Available

Magnolia Still Not Willing To LET THE RIGHT ONE IN

picture-5After legions of fans pointed out that the subtitles on the DVD and Blu-ray releases of the amazing Swedish film LET THE RIGHT ONE IN had been dramatically altered and dumbed-down from the film’s theatrical release, Magnolia agreed to release a version with the theatrical subs as soon as their current inventory sells out. But they were very clear that they would not make exchanges for those of us who had already bought the film under the assumption that it would not have been altered from the theatrical version. Nothing on the packaging nor in the press materials forewarned buyers of this change.

According to Icons Of Fright:

…the following is not an “official” statement. The following is an email that a reader named John wanted me to share with you. The following is Magnolia’s response to HIM…

“Yes the bloggers are having a field day on this one.   Normally they like to pick on the English Dub tracks, but in this case it’s the subtitles. Obviously online tend to get rowdy and bandwagon mentality without knowing all the details.   The current subtitle track is not altering the context of the film at all, in fact it’s a more literal translation than any prior version of subtitles.    It’s not a defective or faulty subtitle file.  Just more literal and larger in size for the small screen.  Both English and Spanish subtitle files were produced for this dvd release.   Frankly it’s not all that uncommon to have the subs vary from prior releases, typically go unnoticed as subs are purely a translation of film dialogue.  This wouldn’t have been a blip had it not been for one particular horror blog doing a side by side and claiming that they are wrong.  They are not.  We are not doing a recall or anything of that nature, again, these are not defective.   Title came out two weeks ago and general public don’t notice and don’t care – bloggers are well known for jumping on something, making an issue of it and moving on.    We have decided that based on the feedback that we will be making a running change, so that going forward (once inventories deplete), we will be making that subtitle version available. Options in set up will be; English Subtitles / English (theatrical) Subtitles  / Spanish Subtitles””

As someone who DOES speak Swedish, I can tell you first hand that the newer subtitles are NOT a more literal translation. Nothing could be further from the truth. Unfortunate that Magnolia (or someone speaking for Magnolia) appears to have such a negative outlook on the consumers and supporters of their own products.

I wonder what LET THE RIGHT ONE IN director Tomas Alfredson thinks about all of this…

Magnolia Still Not Willing To LET THE RIGHT ONE IN

The CLEAN Blog

I’ve decided to start writing about my journey getting my next feature film, CLEAN, made. I will try to add to this story as new events unfold. It may be a bit slow at first, but hopefully as things begin to come together, I’ll have more to share. 

The story so far…

My production company, Off Leash Films, has teamed with British Production Company, Lock & Loru Productions, headed by producer Amyra Bunyard. At the moment, we are sending the script out to talent and raising finances at the same time. We plan to shoot in England with a largely British cast. We are also looking into other various locations that offer tax incentives, etc. 

I am both the writer and director on the film and the script is loosely based on a story idea by myself and Teal Minton. CLEAN will be produced independently and I will be maintaining full creative control throughout to ensure the film we make is the one released. Those familiar with my first feature, THE PLAGUE, will understand.

CLEAN is a psychological thriller dealing with personal, cultural and social identity. It is a series of complex, interconnected stories that move back and forth in time while building steadily toward its climax. I have been told that it’s MEMENTO meets MAGNOLIA (for those in need of a more commercial description). And though I call CLEAN a psychological thriller, I believe that it encompasses many genres and cannot be easily categorized (much like the Writers & Director’s Cut of THE PLAGUE is not really a horror film as most people think of horror today, yet it’s the closest genre description one can apply). 

As our filmmaking journey continues, so will these posts. Please stop by and see how we’re doing. I intend to speak openly and honestly as to the events that unfold so that both fans and other filmmakers will have a good idea of what it takes to get a film made and what can happen along the way. 

Glad to have you with us!

Hal Masonberg

The CLEAN Blog

Paul Thomas Anderson: In Good Company

Paul Thomas AndersonHere’s part of an interview I found and saved not long after being kicked off my own first feature, THE PLAGUE, which I wrote and directed. I wish I could remember where I got this from and as soon as I do, I’ll credit them. In the meantime, here’s the snippet of Paul Thomas Anderson (BOOGIE NIGHTS, MAGNOLIA, PUNCH DRUNK LOVE, THERE WILL BE BLOOD) discussing his horrifying experience on his first directorial feature, SYDNEY (aka HARD EIGHT), and how he survived and overcame. I guess I’m in good company:

Before you made Hard Eight I presume that this wasn’t the first script you wrote. How come you chose it to be your first one?

Yes I had only written maybe one or two other scripts that I didn’t really like that much and I liked this one and it seemed that I could do it. It seemed that I could make a movie which was small with only four characters in Reno, Nevada and that I could raise money for it. It was really all I had.

You had no choice!

Yeah but I really didn’t need any other choice. It was that movie that I wanted to make. I got very lucky on that movie just to start making it but I got in a lot of trouble when I made the movie. There were some producers that fired me actually after I… It was my movie. I mean I wrote it and directed it and then I found these guys to finance it and they were real criminals.


I put the movie together. And they had all these ideas for cuts that I wouldn’t make. Some of them were actually good ideas but I was too arrogant to like see that they were good ideas and they were kind of dicks too. But they ended up taking the movie away from me. It was like this amazing lesson very early on where I was hit fucking repeatedly over and over again and I fought and I desperately tried to get the movie back and it was just a long, long battle. And eventually I got the movie back but there was a period where I did get beat up enough and where I was swimming in the darkest depression and I thought my career is over and I will never get another chance. But I pulled my self out of it somehow and the only way that I could get things going again is if I go to work again. So I went and got Boogie Nights made and the amazing thing in doing that was I went to get Boogie Nights made and that became kind of easy, getting money for it and at the same time I reinvestigated the fight to get my first movie back. And I got that movie back so I was in pre-production on Boogie Night while I was re-cutting and finishing off my first movie. And it was kind of a this great lesson that I learned just having gone in this really deep and dark depression where I couldn’t get out of my fucking bed and the only thing that I could do is just get up and attack, attack and attack. And I am happy that that happened. So it was kind of a great first lesson on my first movie. And I was able to learn right then and there all kinds of mistakes that I have made. All that arrogance where I wasn’t seeing anything and where they were right and I was just too blind to notice it. But I also learned that I was right on a lot of stuff and I should have fought for what I believed. So it’s just kind of a great lesson on my first movie.

This is a second great tip of the season. Beat depression by breaking it!

Yeah! Absolutely!





Paul Thomas Anderson: In Good Company