Let’s see, after decades of trying to get the people “in charge” to rid the world of nuclear energy and replace it with other forms of energy as well as putting both time and money into developing newer, safer forms of energy, we find ourselves in the midst of the greatest global nuclear disaster since Hiroshima and Nagasaki. And that’s on top of a country already decimated by a massive earthquake and tsunami.
So what are some of the experts here in America saying about all this? Well, let’s start with everyone’s favorite expert on all things dangerous, Rush Limbaugh:
“Which is the bigger problem: Japan’s reactors, or our over-reactors in the news media? The media wants a disaster in Japan. These people are looking for disaster. They want disaster upon disaster. They want the nuclear meltdown. They want the Japanese syndrome, if you will. They want this stuff… this is just the wanton spreading of fear.”
Rush also used this “occasion” to put down President Obama. Surprise, surprise…
So while Limbaugh is underplaying the danger of the scenario in Japan, let’s here from the other extreme side of the coin, which is Harvey Wasserman of Nukefree.org, who also uses this opportunity to bash Obama. At least these two “experts” can agree on something:
Now I remember attending the No Nukes Rallies in 1979 in New York City, so my desire to see a nuclear-free world has been with me since my teens. And, at various points in my life, I have been quite vocal about it. However, and it’s sad to admit, at other times I have been altogether silent, complacent.
So it will be interesting to see if what’s taking place now will ultimately be a wake-up call for the world, or whether we all choose to hit the snooze button once again.
Despite much press about Sony pulling the plug at the last minute on Steven Soderbergh’s MONEYBALL, Mr. S still has much to be thankful for. And so do we. His latest offering had a pre-theatrical release on Amazon Video On Demand, then went limited theatrical on May 22 with a simultaneous release on Pay-Per View.
This low-budget indie outing was, like CHE, shot digitally on the RedOne camera with a budget of $1.3 million. Like Sodergergh’s earlier BUBBLE (which I loved), THE GIRLFRIEND EXPERIENCE stars a cast of non-actors, with the exception of real life porn star Sasha Grey.
The film is absolutely terrific and so are almost all of the performances. Particularly Grey. And somehow, even those perfs that were lacking in finesse and may have seemed a bit self-conscious, managed to work for me within the context of the story and the way in which the characters were presented.
And for those who have claimed that Soderbergh’s indie films are lacking in style (you know who you are), nothing could be further from the truth here. GIRLFRIEND is rich in style and texture, with striking compositions and a daring use of focus which incorporates limited movement and slowly draws the audience in with a formidably hypnotic effect.
More a tale of deals, negotiations, growth and decay than, say, a romantic comedy, GIRLFRIEND nonetheless manages to darkly tickle the funny bone while simultaneously being tragic, insightful and unrelenting. It is certainly one of the more profoundly reflective films for the age in which we find ourselves. The story takes place in New York City during the presidential election campaign and the subsequent economic downfall. And more perfect a setting could not have been used for a film and characters obsessed with money and control. What we buy and what we sell, whether it be merchandise, dreams, lust, romance, or our own souls, is at the center of GIRLFRIEND. Soderbergh brilliantly and stylishly holds a mirror up to our current America and some of the people that may inhabit it.